The song originated from an idea put forward by Jacques Wolfsohn, an artistic director at Disques Vogue, during a meal at his home with songwriting partners Jacques Dutronc and Jacques Lanzmann. He suggested a song on the subject of Paris in the morning. The other two Jacques began writing the song at around 11 pm that evening, and completed it at daybreak. It takes inspiration from “Tableau de Paris à cinq heures du matin”, an 1802 song by Marc-Antoine Madeleine Désaugiers.
The film shows an eight-minute drive through Paris during the early hours (05:30) of a Sunday morning in August (when much of Paris is on vacation), accompanied by sounds of a high-revving engine, gear changes and squealing tyres. It starts in a tunnel of the Paris Périphérique at Porte Dauphine, with an on-board view from an unseen car exiting up on a slip road to Avenue Foch. Well-known landmarks such as the Arc de Triomphe, Opéra Garnier, and Place de la Concorde with its obelisk are passed, as well as the Champs-Élysées. Pedestrians are passed, pigeons sitting on the streets are scattered, red lights are ignored, one-way streets are driven up the wrong way, centre lines are crossed, and the car drives on the sidewalk to avoid a rubbish lorry. The car is never seen as the camera seems to be attached below the front bumper (judging from the relative positions of other cars, the visible headlight beam and the final shot when the car is parked in front of a kerb on Montmartre, with the famous Sacré-Cœur Basilica behind, and out of shot). Here, the driver gets out and embraces a young blonde woman as bells ring in the background, with the famous backdrop of Paris. (source: wikipedia)